What a delight it was to me to realise that when you move to an author’s home country, you can find more of their books — and so here begins a mini-resumption of my Lucy Maud Montgomery reading project (the first six posts of which are linked here). Over the summer of 2017 I read as many of Montgomery’s books as I could easily get my hands on — which ended up being nineteen of them — as well as a biography. Now I have just finished LMM number twenty, Kilmeny of the Orchard.
It is a sweet love story, unusual in the Montgomery canon in that its protagonist is a man rather than a girl or a woman — actually, of the twenty, it is the only one set up this way (although I believe a few of her short stories take a male point of view). Eric Gordon is a fresh university graduate intent on joining his father in the family business — but not before he spends a few weeks on Prince Edward Island, substitute teaching in place of a friend who is taken ill. Wandering down through an abandoned orchard one night, he is suddenly arrested by the sound of beautiful music being played on the violin. The player is the beautiful Kilmeny Gordon — a young woman with a sad family history and a puzzling case of muteness.
Naturally Eric and Kilmeny’s love grows and triumphs in the end — it’s hardly giving anything away to say so! I will leave you to discover how on your own, if you are so inclined. The reader will want to pay attention to the theme of emotional pain and how it transforms one’s character and relationships, for better or for worse. I was particularly struck by this short passage near the end of the novel:
As he crossed the pasture field before the spruce wood he came upon Neil Gordon, building a longer fence. Neil did not look up as Eric passed, but sullenly went on driving poles. Before this Eric had pitied Neil; now he was conscious of feeling sympathy with him. Had Neil suffered as he was suffering? Eric had entered into a new fellowship whereof the passport was pain. (p. 235)
It seems to me that, fundamentally, we have two options when confronted with pain and sorrow: to turn inward upon ourselves in self-pity, as Neil does, or to allow it to turn us outward towards others in compassion, as Eric is here able to do. Kilmeny of the Orchard is, in part, concerned with the question of what we are to do with our pain — and how those choices affect those around us, innocent and guilty alike.
I also learned a little bit more about PEI history, because I had to look up a reference to the “harvest excursion train”. In the earlier half of the twentieth century, trains would take Maritimers west each year to work the grain harvests in the prairie provinces, as well as for other industries like logging and school-teaching. You can read more about the harvest excursion in this CBC piece.
Kilmeny of the Orchard was a lovely read, and quick — despite the high page count on the quotation above, there is not that much to it (my copy had largeish print and extraordinarily wide margins). It was a nice way to pick up my LMM project again. Twenty books down… five more to go!