Reading Round-Up: August 2022

Oh, August. Is it the worst month of the year? Very probably. But at least there were books to read to take my mind off things:

  • Some Great Thing (Lawrence Hill)
  • Caliban’s War (James S. A. Corey)
  • Abbadon’s Gate (James S. A. Corey)
  • Nothing More Perfect (Marty Gervais)
  • The Sacred Diary of Adrian Plass on Tour (Adrian Plass)
  • Cibola Burn (James S. A. Corey)
  • Nemesis Games (James S. A. Corey)
  • Book Lovers (Emily Henry)

At this point you may be sensing a theme. In August I continued my foray through James S. A. Corey’s sprawling “Expanse” series of sci-fi doorstops. The trouble with reading them all in a row is that they’ve blended together in my mind to a certain degree — which makes sense, I suppose, since they’re telling one big story. In the first book of the series, Leviathan’s Gate, humanity has populated the solar system but not beyond; the sudden and violent introduction of an alien virus/technology/something changes solar geopolitics (solarpolitics?) forever, as well as the lives of countless people on Earth and far beyond. In these further installments, Corey expands the original cast and continues to explore the political, scientific, and social ramifications of that upheaval, with the requisite amount of wacky sci-fi stuff, space battles, alien landscapes, etc. Interestingly, the focal shift from book to book also engenders a tonal shift. Nemesis Games was very personal and intimate, and included a lot of character backstories that I’d been dying to read. Abbadon’s Gate was a bloodbath, easily the goriest of the series so far. Cibola Burn was almost a settlement-of-the-West-style colonial narrative. I’m always curious to see how the next book is going to shift, as well as to find out what happens next in the overall story.

Nothing More Perfect is a short book of poems by Canadian poet Marty Gervais. They’re have a sweetness and a sincerity about them that a lot of contemporary poetry eschews, but it’s quite refreshing, actually.

Lawrence Hill rose to fame in Canada with his powerhouse of a novel, The Book of Negroes (American title: Someone Knows My Name), which won the 2008 Commonwealth Writers’ Prize, among others, and was later adapted as a mini-series. It wasn’t his first novel, however; that space is taken by Some Great Thing, which follows Mahatma Grafton, a cynical journalism graduate who moves back to Manitoba and takes a job with The Winnipeg Herald at the height of the controversy over official French-English bilingualism in the 1980s. It’s sharply-biting satire, and seriously funny.

Book Lovers delighted me, because it’s romance that plays with rom-com tropes in a brilliant and deliberate way. We all know the Hallmark type of story where the protagonist moves to a small town to support their ailing parent or bail out the family bakery or whatever, meets a wholesome hayseed, ditches their terrible career-focused city love interest, and lives happily ever after in Podunk, Wisconsin. But what happens to the person they left behind? Nora Stephens, a cut-throat New Yorker literary agent, has been dumped for the podunk life four times. Is lasting love just not possible for someone like her? (Spoiler alert: it is.) I also really appreciated that the things keeping the star-crossed love interests apart were not dumb romance tropes (She can’t admit she has amnesia! He’s really his own twin!) but simply the facts that life is complicated, practical circumstances can be big barriers, and sometimes you have to work through your own stuff before you’re healthy enough and ready enough to be with someone else. It’s a clever, clever book. Also quite smutty in parts. Reader be advised.

Adrian Plass on Tour is one of the “Sacred Diarist” series of short and hilarious novels by Adrian Plass (the author), featuring Adrian Plass (the character) and a bevy of his fictional friends and relations. In this installment, Adrian is going on tour as a Christian speaker, along with his wife Bridget, his son Gerald (now a wisecracking Anglican vicar), their irrepressibly-odd friend Leonard Thynn, and Thynn’s new girlfriend, the improbably-named Angels Twitten. Adrian Plass (actual person) is always a pleasure to read, now being enjoyed by a third generation in my family — my parents introduced me to his books, and I’ve introduced them to Anselm! They’re heartwarming as well as hilarious (The Theatrical Tapes of Leonard Thynn may be one of my all-time favourite books.)

Reading Round-Up: November 2018

November was a pretty good reading month for me — not as many books as I’ve hit on other occasions, but all high-caliber.

  1. The Best American Poetry 2018 (ed. Dana Gioia)
  2. Rules of Civility (Amor Towles)
  3. Southern Discomfort (Tena Clark)
  4. The Best American Poetry 2017 (ed. Natasha Tretheway)
  5. Possession (A. S. Byatt)
  6. The Reckoning (John Grisham)
  7. Stress Family Robinson (Adrian Plass)
  8. Out of the Silent Planet (C. S. Lewis)
  9. Perelandra (C. S. Lewis)

This is the time of year when my reading list starts getting a little repetitive; I have a few books that I read yearly, and generally in the colder months. In November I read A. S. Byatt’s Possession, which remains a top favourite and in which I am always finding new things at which to marvel. I wrote about it at a bit more length last year. This year, I found myself focusing most on the poetry that serves as epigraph for nearly every chapter; all of it is pertinent and it was interesting to go back and read after finishing each chapter, to better see the themes highlighted by each poem or snippet of poetry.

And speaking of poetry, I read two collections this past month, namely the two latest editions of The Best American Poetry. It was enjoyably different to read a few anthologies, as most of the poetry I’ve read in this past year has been collections by single authors. These two books had a tremendous amount of breadth in terms of style and subject, all the more so because they are picked and organized on a very simple principle: new poetry that best catches the eye of each edition’s guest editor. I slightly preferred, overall, 2018 to 2017 as a collection, but in each I found many wonderful things.

The only other non-fiction I read in November was Tena Clark’s memoir, Southern Discomfort, her account of growing up gay in the American South in the 1960s. Oh, and growing up white while being raised by the black women who worked for her family. And dealing with an alcoholic mother, and a bully of a father who essentially owned their town, and her own burning desires to a) play the drums and b) escape. (There’s a lot going on in this book.) It’s a heart-wrenching, tender, and engrossing read with a few major surprises along the way. Great stuff.

I put Rules of Civility — Amor Towles’s debut novel — on my library list after devouring his magnificent A Gentleman in Moscow (review). Rules of Civility is set in the glitzy inter-war period in New York City, following Katey Kontent, her roommate Eve, and roguish banker Tinker Grey in a novel about social climbing, aspirations and assumptions, truth and transformation.

My last post reviewed Grisham’s The Reckoning (major spoilers). And since that was such a downer, I turned to one of my pick-me-up standbys, Adrian Plass. Stress Family Robinson is a portrait of the chaotic and charming Robinson family (Mike and Kathy, teenage sons Jack and Mark, and six-year-old Felicity) as seen through the eyes of their dear friend Elizabeth ‘Dip’ Reynolds. As always, Plass is laugh-out-loud funny, with a generous dose of wisdom thrown in. I note that there’s a sequel, which I will have to look up one of these days.

Lastly, I started reading C. S. Lewis’s Cosmic Trilogy, finishing Out of the Silent Planet and Perelandra in November (I just finished That Hideous Strength but that will have to wait for December’s round-up post). Technically this is a re-read for me — I read the whole trilogy perhaps ten years ago, and Perelandra for a class in grad school — but it had been so long since I encountered Out of the Silent Planet it was like reading it for the first time. I found myself completely entranced by Lewis’s cosmology. While it’s not exactly medieval it carries the same sort of flavour — it felt a bit like reading Dante — only with spaceships and things thrown in, of course! These are really fine examples of classic science fiction, in the imaginative mode that perhaps was more possible before we actually got to the moon. This series may have to find its own spot on my annual read list.