You may notice a theme here. Last month I read the following books, most of them door stopper-sized and every one of them by Brandon Sanderson:
- The Way of Kings
- Words of Radiance
- Rhythm of War
Only six books… but those books together held over 1.7 million words, so by that measure it was still a pretty heavy reading month!
These are the books that currently make up Sanderson’s “Stormlight Archive” series, which is part of his overarching fictional universe, the Cosmere, which is a little hard to explain without ending up looking like this guy:
In my (admittedly still limited) understanding, the Cosmere is a universe in which a group of ~15 persons conspired to and managed to kill their god/the universe’s creative force, Adonalsium, who/which shattered into a bunch of pieces that flew off into different planetary systems. Those sixteen “shards” of godhood/creative force, each carry one aspect of Adonalsium’s divinity (or whatever) and ended up picked up various individuals in each system, who took on each specific aspect/power and functionally became gods of their planetary systems. Each planetary system has its own distinct magic system, and one of the Cosmere’s overarching themes is what happens when fallen humans end up with divine powers. The books in the Cosmere span thousands of years in time, and although each one is set on a particular world, there are characters who appear in different books/worlds, known as “world-hoppers”. With 18 Cosmere books currently in print and something like a total of 40 planned, there is a lot to explore.
Anyway. The six books I read last month take place on the planet Roshar, part of the Rosharan system. Edgedancer and Dawnshard are novellas that fill out the stories of some minor characters. The Way of Kings, Words of Radiance, Oathbringer, and Rhythm of War are all novels, part of Sanderson’s planned series of 10, and provide the meat of the story. Point of view rotates between a large cast of characters that gradually expands as the series progresses, detailing the war between the Alethi princedoms and the not-quite-human Parshendi peoples on the enormous battlefield known as the Shattered Plains. In The Way of Kings we begin with the stories of Dalinar Kholin, brother of the Alethi king whose assassination opens the book; Kaladin, a darkeyed slave sent to fight on the plains; Prince Adolin, Dalinar’s son; and Shallan Davar, a young woman sent to steal an important piece of technology from one of the preeminent scholars of the day, in hopes of saving her family’s fortune. From there, things get… considerably more complicated.
One of the things that I absolutely love about Brandon Sanderson’s work is his worldbuilding. Roshar is unlike Earth; it’s also unlike other planets in the Cosmere. It’s a watery world, and its people live on one huge continent (there are many more kingdoms/peoples than the Alethi and Parshendi). Roshar is subject to terrible recurring storms, highstorms, that sweep across the continent from East to West before circling the globe and passing over again. You don’t want to be caught out in a highstorm — but you do want to set out your gems, set in glass spheres, so that they can be refreshed with stormlight. Stormlight is the basis of Roshar’s magic system; captured in gemstones, it functions as currency, provides illumination, and is used to power the “fabrials” of Rosharan technology as well as provide the energy needed by Soulcasters, who can transform materials (people into stone, stone into grain, that sort of thing). Also the animals are mostly crabs which is… surprisingly charming. And unlike in this paragraph, Sanderson doesn’t info-dump his worldbuilding; he just plops you right in the action and you piece it together as you go. I love that.
Sanderson also does some interesting things with Rosharan societies. In the Vorin religion, followed by a large swath of the continent, gender roles are highly stratified: for example, only women are literate. This means that a man who wishes to read a book needs a female scribe to read it to him, which in turn means things like noble Alethis going to war as married couples — the husband to fight and lead troops, and his wife to manage the scouts and any reports that need to be read or sent. In Vorinism, a woman’s most private and erotic body part is her left hand, so Vorin women keep it covered at all times — the poor with a simple glove, and the right with a full encapsulating sleeve. And speaking of rich and poor, Alethi society is a caste system. This one isn’t based on skin colour (they uniformly have tan skin and black hair) but on the lightness or darkness of one’s eyes. The dark-eyed masses make up the lower classes, and the light-eyed rule. Members of the ruling caste are therefore addressed as Brightlord or Brightlady.
This was my second time reading through these books; I first encountered the Stormlight Archive about a year ago, as briefly touched on in last year’s round-up post. It had been long enough that I remembered most of the outlines but had forgotten most of the details, which to my mind is just about the perfect condition for a reread. This month I’ve branched out into further reaches of the Cosmere, which you will hear about (though probably not at this length!) later 🙂 I’m so happy to have discovered Brandon Sanderson’s fiction, and I’m sure that I will be reading him for years to come.