It’s finally finished!

Way back in 2019, I decided to buy myself a birthday present, and ordered a crochet blanket kit: Janie Crow’s beautiful “Persian Tiles” pattern, in the “Eastern Jewels” colourway. After 2.5 years of on-and-off work (mostly off), I finally finished a night or two ago. Here it is:

I’ve made some variations on the pattern. If you look up other Eastern Jewels blankets, you’ll see that there is no black in the original. I wanted to really separate the tiles in a way that highlighted their colours, going for a stained glass effect — which I think I’ve achieved! To do this I made all of the square and octagonal motifs as written, and then added a row of single crochet in black around all of their edges. This also made it very easy to do a no-show join, as I simply whip-stitched the pieces together with the same black yarn.

The other variation had to do with the triangles. The pattern calls for sixteen of them: twelve between the octagons on the outer edges, and four on each corner. I decided to omit the corner triangles entirely. For the inner group, instead of following the pattern and making coloured ones (to look like the square tiles, halved) I just made granny triangles, again in black. Because of my chosen stained glass aesthetic, I didn’t want it to look like any “panes” were incomplete.

The border is a simple one. Once the blanket was all sewn together, I did a row of single crochet all the way around, followed by two rows of moss stitch. After that, I did two rows of loops (chain five, skip a stitch, anchor with a single crochet stitch, repeat) and… that was that! I toyed with the idea of adding a third row of loops, but decided I’d rather be done. It will be very easy to add on later if I decide I really want it.

The blanket was made with Stylecraft Special DK yarn in twelve colours (storm blue, pistachio, tomato, spice, violet, duck egg, mustard, sage, fondant, vintage peach, buttermilk, black) and one ball of Stylecraft Life DK in fuschia. This made for a lot of ends to weave in. Like… a lot lot. Over 500 if I’ve totted it up correctly! Weaving all the ends may have taken more time than crocheting the squares; it definitely took more time than the assembly and border. Good thing I don’t mind doing the ends (and that the results were worth it).

All in all, this was an enjoyable project. I’m glad to have done it, and I’m really, really glad it’s done.

Eastern Jewels: the squares (work in progress)

One of the things I’ve learned about myself as a crocheter/crafter is that I often suffer from project boredom. By the time I’m 3/4 done a project, I never want to see it again, can hardly be bothered to finish it, and will just add it to my pile of “I’ll finish it one day” abandoned projects if I don’t force myself to keep going. See, for example, the queen-size quilt I started back in… 2009. Which was eleven years ago, which makes me feel very suddenly old.

What helps, though, is having more than one thing on the go at a time, so that when I start getting bored with one project I can switch out for something else, and then rinse and repeat as needed.

Along with the virus shawl I finished earlier this week, I’ve been making some slow progress on the Eastern Jewels blanket. This is a pattern that was designed by Janie Crow and originally released as the Persian Tiles blanket in a blue/orange/red colourway. It was subsequently re-coloured by Lucia of Lucia’s Fig Tree  and called Eastern Jewels. I absolutely love the colours Lucia picked for this blanket, and so last year I bought the blanket kit as a birthday present for myself. 

(Note that the squares haven’t been blocked and I haven’t woven in any ends yet. I keep telling myself that I should do them now instead of having a huge amount to do at the end… but… I think we all know that I’m going to have a huge amount to do at the end.)

The blanket is constructed out of multiple repeated motifs: nine squares (pictured above), sixteen large octagon tiles, and then sixteen triangles. After those are all made and sewn together, there’s also a pretty border to go around them. It’s going to take… a while. But I really like having those small motifs to work on when I’m getting tired of a larger project (like the shawl) that just goes on and on and on…

I decided to start with the granny squares in part because I just like making granny squares. My tension was a little tight on the first one, and so I might end up re-making it at the end if I have enough yarn left in the appropriate colours. But overall these were very pleasant to work on, and even taught me a new stitch (the longer buttermilk-coloured “posts” that dip down and wrap around a previous row). I think there are one or two squares that I managed to do without any errors — no shade on Janie Crow for that, as the pattern is well written and easy to memorize. Blame my faulty memory for things I have allegedly memorized.

Since the octagons are so much larger than the squares, I decided to take a different approach with them. Instead of doing them all one at a time, I’m taking more of an assembly-line approach where I do round one sixteen times, then round two sixteen times, then round three, etc. Here they are all strung together on a long piece of yarn so that I don’t get their order mixed up; only three more iterations of round four to go. I’ll post better pictures when they’re finished!