Process vs. Product

Sometimes you make something and it just isn’t what you envisioned. It’s hard to know what to write about it in this case: “here is a thing, and it disappointed me” is not the tone I usually strive for. But here we are! I made a thing! It wasn’t fun to make and I don’t like the outcome. TA-DAA.

I mean, it’s not objectively hideous. But I am very conscious of the following things:

  • I had forgotten how much I dislike making amigurumi. It’s all small hooks and super-tight hand-hurting tension and counting, counting, counting all day. Forget it!
  • Because I don’t like crocheting ami, I shortened the ears by a good ten rows and completely omitted the arms. The pattern was for a sleepy bunny, rather than the… generic animal head? that I ended up with.
  • I didn’t have any polyfill and didn’t feel like driving across town to get some, so I stuffed the head with scrap cloth. In many ways that’s fine, but it kind of throws off the balance (though with a heavier head and the blanket trailing behind this would probably be great for throwing).
  • The ears appear to be different lengths. An optical illusion? Did I add or omit an extra row? I don’t know, man, counting stitches is annoying.
  • Also I’m not crazy about spirals. Working in the round is fine, but I’d much rather join at the end of each row than work continuously.
  • I used some of the crappier acrylic from my stash and it’s just not that nice to work with.

What this all boils down to, I guess, is that I am even more of a “process” crafter than I realized. It was already obvious to me that I’m not attached to my finished products — I have no qualms about giving things away or chucking them into the back of a closet no matter how much work I put into them. Out of sight (or perhaps, off of hook), out of mind. But what’s clear now is that whether a project is a success or a failure in my eyes has almost everything to do with how much I enjoyed the creative process and almost nothing to do with the actual result.

For my own records; I used Bernat Super Value yarn in white, Red Heart Super Saver in “Monet” (leftovers from Perpetua’s blankie), and the eyes and nose were done with Stylecraft Special DK leftovers from my Eastern Jewels blanket. I used a 3.75mm hook for the animal parts and a 6mm hook for the lovey portion.

Anyway, this was supposed to be a gift for someone’s baby… but I feel weird enough about it that I’ll just make something else. This can go into the toy bin for my daughters to fight over and I’ll pretend it never happened.

Oh well. At least someone likes it.

Home horse repair

Back in grades seven and eight, the school I attended offered several non-academic classes to supplement its regular program of languages, math, etc. Besides gym and typing class (which was very strange for us to begin in grade seven, given that we had been typing assignments since about grade three), every year the senior students would get to take both shop and home economics. I don’t remember what we learned in shop class, besides how to use drafting paper to draw rectangular prisms, but in home ec we cooked a bit and we also learned to sew. We used the machines — old, trusty tan-coloured Singers — to make drawstring bags and aprons.

We also learned to sew by hand. At some point our class was sent home with a flyer full of stuffed animal sewing kits to choose from. I picked two horses: one brown, one black. We learned how to sew from a pattern, how to cut and join and stuff, and how to use a punch to properly secure the little plastic bits like noses and eyes. I haven’t seen the black horse in years and years, but the brown horse has survived many moves over the past two decades and now finds itself one of Perpetua’s “crib friends”. It is, alas, showing its age, with several seams burst open and the stuffing showing (though, thankfully, not yet coming out).

So I sat down the other day to see what I could do to fix it up. I didn’t have anything on hand that I thought would work especially well as a patch — and anyway, sewing patches is totally annoying — so I decided to try just sewing the holes closed. This wouldn’t be as easy as it sounds: the horse’s fabric is a bit brittle and crumbly now, and if my thread was too thin, it would just rip through the edges and make the holes larger.

Instead, I decided to use embroidery thread, with a full six strands. And since it was what I had handy, I used dark blue. The stitches definitely show — but I like to think of it as stuffie kintsugi.

Some edges came together very neatly:

In other cases, the gaps were too wide to be drawn together. But that’s where the embroidery thread came it handy. It was thick enough to cover the gap on its own. There’s still some space between the threads, but not enough to let any stuffing out:

Now, from the state of the seams, this probably only going to be the first round of repair. Which is fine. Horse-the-horse may not last another twenty years, but at least I know I can give him a fighting chance.